For quite some time, we stopped believing in “characters” in the theatre.
We see many styles of performance, yet rarely they are convincing.
After all the acting methods were consumed, what new can be brought on stage, and is it necessary at all?
The workshop will deal with the secrets of action, dismantling concepts about characters on stage, and reconstructing them anew.
The work will be based on movement, abstract physical improvisation, dealing with time and space, and practicing dramatic action, towards fresh and direct use of text.